OTLC 25: DIANE BIRCH

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Name: Diane Birch
Locality: Michigan, USA
Color: Royal Purple: Majestic yet bold.

The Story: Influenced by Tina Turner, Pat Benetar, Carole King and more, Diane Birch’s strong yet original voice was curated in travels with her pastoral father. Originally from Michigan she has stopped all over the world along the way. 

Her classical piano training came in handy in an unlikely turn of events from none other than Mr. Purple Rain himself. It was Prince who heard her perform at a hotel in Beverly Hills and scooped her up for a jam session at his place.  It was a turning point that later led to Bible Belt, her first album under S-Curve Records.

Although Bible Belt made it’s way to the Billboard Hot 100 and garnered critical acclaim, soon after the close of her freshman album, she ended a long term relationship, and her beloved father passed away within a short time of each other. This trauma was the basis behind her sophomore inspiration.

“To stay strong, you have to surrender a bit to the breakdown and embrace the darker parts of your psyche and circumstances, come full circle and realize that there’s beauty in even those really difficult and testing times” she says of the hardships. “If you can learn to do that, you can manifest a lot of great things in your life."

Diane found cultural haven in Williamsburg Brooklyn, where her studio resided, and started working with Homer Steinweiss, who gave life to her ideas. Many producers worked with her on the second release to produce the collective sound. ?uestlove worked with Steve Greenberg, John Taylor, and Eg White, for “All The Love You Got,” and Matt Hales, mastermind of Aqualung, crafted the tune behind “Unfkd.”

The effort, called Speak A Little Louder, has a classic sound. It has an old feel with a piano base but with a stronger push from Diane’s vocals, and influence from greats of the 70’s and 80’s. With a golden voice and great production, Diane Birch is steadily rising in notoriety. And rightfully so.
Coloring Outside The Lines Because: Diane’s voice takes you back to the days of true ballads, where the songwriting is very well constructed. Diane plays up her strengths here--most songs are made with a verse, a chorus and a bridge. Birch does this fluidly, without overcomplicating the process. Her verses are effortless, her choruses are very memorable, and the sound is timeless. Her voice has crisped and gotten better with time.

Think: wine, sunset, Brooklyn hipsters, house warmer, cleaning, picnics, 6th grade slow dance, looking out the window of a plane thats taking off, dinner/restaurant party, soundtrack after the plot has been resolved in a movie.

Propers: Margo Ducharme