Reggae's Done Went And Gone Country! & It's Irie!



Christy Barber
came up with an interesting concept to bring together Jamaica's beloved singers and country's powerhouse production together for some rootin' tootin' fun. Getting together with producer John Rich (of Big & Rich), and producer Dean Fraser, the project grew further into a hybrid album.

This is a great idea, hopefully appealing to both audiences of reggae and country music. Reggae's Gone Country comes out today on VP Records. It features Romain Virgo, Luciano, Beres Hammond, Busy Signal, and more.

Tracklisting:

1. California - Romain Virgo & Larry Gatlin
2. He'll Have To Go - Luciano
3. Wolverton Mountain - Richie Stephens
4. Crazy - Etana
5. The Chair - Tarrus Riley
6. He Stopped Loving Her Today - Beres Hammond
7. Suspicions - Duane Stephenson
8. Don't It Make My Brown Eyes - Tessanne Chin
9. Feel So Right - Gramps Morgan
10. King Of The Road - Freddie McGregor
11. El Paso - Sanchez
12. Flowers On The Wall - L.U.S.T.
13. The Gambler - Busy Signal
14. Straight Tequila Night - Tarrus Riley [iTunes Bonus Track]

@GirlBlueSTL

Mamas Gun "Reconnection" Video



Explore frontman Andy's dream land perception on a desert island full of "wondrous" illusion. "Reconnection" is a track off of Mamas Gun's The Life And Soul.

0 ;-D



I may have a week where I express myself through emoticons.

O sheiittt


Gym Class Heroes, another Afropunk performer 2011, has a new album called Papercut Chronicles II, out October 25.

Aloha! GB can now blog. Lol. Anyway through Irene and her annoyance now I know I can blog from BlogPress too! YES. Anyway, Just an update over here: There are trees in the middle of the road and it is very windy. But while some people lost power, many others didn't. Lucky stars.* It wasn't as bad as we thought, but most of us in the area are still stuck where we are. Water party! Get your boat. Ok, maybe just your floatie.

Let us resume, shall we?

--@GirlblueSTL


Let's Call The Whole Thing Off



Mos Def was a previous headliner at the Afropunk Festival, 2010.


Plans near the Atlantic? Sucks to your assmar!

Just around now, Afropunk, a music and sports festival on "the 'other' Black experience," was supposed to start their festivities in BK, NY! Just around the same time the "Brooklyn Loves Michael Jackson" celebration party was going to get underway. But alas, they were both squashed, for everyone on the East coast is preparing for Hurricane Irene.

Many people were asked to evacuate from their homes, and others were asked to stay home and not to come outside. As an incentive to get to our destinations safely and timely, last night all MTA Buses and trains were free, culminating with a shutdown that's supposed to happen...well, right about now. If you haven't left, you're just about staying. Good luck.

Everyone's going to be inside anyway, why not blog it out? East side blog it out, west side,...no no, just the east side.

Might as well dream I am there at Afropunk eating from a taco truck getting ready for a skateboard competition (was looking forward to BMX more boo hoo)... Whatever...illusion postings (among other things) coming up all weekend! One thing's for sure, I won't stop till the power does...

GB

National Hurricane Center
Ready.Gov Hurricane Preparedness
Maps and Resources related to Hurricane Irene

Hazards: Hurricane Evacuation Zones




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FAVS: "Welcome To The Jungle," "Otis," "That's My B****," "New Day"



Broadway In Bryant Park: Shows Now On GB's "To Do List"


Typically I’d write a third person account, but since Broadway is an extended genre for me to cover, I figure I’d give it to you straight. Last Thursday on the Bryant Park lawn, 106.7 Lite FM held their Thursday "Broadway in Bryant Park" show. And from what I saw, I ruled out which shows I would and would not go to see. What moved me?....

Death Takes a Holiday was first. They started off with “Shimmy Like They Do in Paree.” Mara Davi shimmied to her hearts content, and she was shimmying mad, but all I got from the song was that she did a good shimmy. “What Do You Do” and “More and More,” were operatic, and the opera kind of makes me yawn, but I liked the latter better. In the last two songs the actors hardly moved around, which I think they did because it was just about the music, but I would have liked to see some more action.

Jersey Boys about Frankie Valli and the Four Seasons, was next. They sang some hits from the past, like “Sherry” and “Big Girls Don’t Cry.” When I say the soprano, Russel Fisher, can hit notes! He hits notes with a baseball bat. It sounds like it hurts. I can only wonder how much honey he puts in his tea every few hours. They also sang “Walk Like A Man,” “Who Loves You,” and “December 1963 (Oh, What A Night),” ending with much of the cast and some basic dance grooves. The music is familiar to me, and I’d see this show, but I may feel out of place with all of the elders! Way before my time. The previews don’t lie people.

Third was The Lion King. Now I have the soundtrack and picture book from the movie lying around somewhere and I know the whole “When he was a young warthog,” “When I was a young warthoooooggggg!” bit, but I’m just not sure that part is in the play. Selloane Nkhela sang "Circle of Life" so solidly! I felt something rise up within me when she sang it. She then sang “Can You Feel The Love Tonight” with Joel Karie. I’d see the play just for her, though I consider that play watching a repeat of the movie.

Rent was next. Annaleigh Ashford and Corbin Reid sang “Take Me or Leave Me” completely in acting mode and worked the stage (I just happen to expect theatrics because though it’s just songs, its, "songs from the 'the-a-tre,' darling"). Then they brought Marcus Paul James to the stage and while I am in like with his personality, it was someone’s bright idea to make him sing “Seasons of Love” all by himself and I was like, “Where are the people?” One from every section would be enough. One alto, One soprano, one tenor, one bass! Come on! Especially the part before the end, “Measure your life in loooveeeeeee,” the part I play back over and over again when the track is on spin-- he let the audience sing that part. What a void! I know they’d all be there if I saw the play though, so that gets a go.

Wicked, the most anticipated performance of the day, was last, and I have never seen it but have heard songs from it before. “Popular” with Katie Rose Clarke was really on point, and “As Long As Your Mine,” was ok, but Teal Wicks blew it out the water with “The Wizard and I.” Her performance was spic and span. So clean you could eat off it. I’d see this play, for sure.

All in all, I give Rent, Lion King and Wicked a go. Death takes a Holiday, I'll skip. And I'll take a few of my senior citizen friends to see Jersey Boys. Oh wait, I have none. Well, I guess that will have to wait.

THE END.

--Girl Blue (TR)

(Photo Credit: Monica Simoes, Joseph Marzullo/WENN)

Nicki Minaj on Good Morning America: GB Recap



Nicki Minaj
brought her powerhouse personality to "Good Morning America" on ABC early this morning, and had a park venue filled with Nicki lovers to show for it. Cotton candy wigs and hot pink bobs floated on the heads of audience members as concert goers came early, some 8 hours, to see the flashy fox. The setting was Rumsey Playfield, Central Park, and the weather showed clear skies.

Nicki, showing up around 7:30 A.M. in a tight aqua green ensemble and blonde bob, repeatedly tested out the bridge to “Super Bass” with her back up singers and had an all out dance fest with the audience before showtime. The crowd saw Nicki dance “full out” and get wild pre-show, and fed off the energy.

Despite warnings to hold cell phones and signs down, the audience couldn’t contain their excitement as Nicki reappeared at showtime for her piece of “Where Them Girls At,” sans David Guetta. Since concert takeoff, she has changed her ensemble to printed leggings, a clear plastic skirt, a green bra, pink jacket, and an 80’s crimped blond do.

Robin Roberts interviewed her next. Asking Nicki, “You grew up in New York City. What does it mean to be here in Central Park?” The Pink Friday platinum star said she grew up and went to school here, and ended with a screw face saying, “I’m New York to the fullest!” Robin then flowed the convo saying, “Especially when you brought it right there, that’s when they knew!” and reached out for dap before Nicki said, “No! You have to do it like with [force]!” and they had a pseudo-hood exchange (lol!)

Nicki then performed “Superbass” and “Moment for Life.” Nicki attempted to end the show with that, signing off for the rents on TV at "Good Morning America," but moments before she departed the crowd started chanting “Roman! Roman!” and the rapper/songstress just had to step into one of her alter ego’s to perform her verse of “Romans Revenge” which started off clean but ended raw. Just how we like it!

Departing the stage with, “Pink Friday! Roman Reloaded!” Nicki bounced off and the show was caput. As an artist with loyal fans, though, most knew the setting will resume at the next Nicki Minaj performance, (IZOD tonight perhaps?), and then at the next show. Moment for life indeed.

--Girl Blue (TR)


(Video Credit- Rap-Up)